Goran Bregovic,great cannibalism
Much has been said about the relationship Goran Bregovic with the traditional Balkan music and musicians for centuries have kept alive.
Clearly, Bregovich has assembled his international career by Popular songs in the Balkans, many of the gypsy tradition, taking it a prominence that should not be yours.
On the other hand, ¿there would be a phenomenon of Balkan music in Western Europe if there were Bregovic?
And yet ¿matter much if Western Europe had not discovered the Balkan Gypsy music?
All of these responses, will be answering. At the moment, to charges of appropriation, Bregovic answers with such niceties:
“(…)Experiences such as the Plaza Mayor enable you to discover music that never leave the home screen. He said a young woman to her friend: “I do not know who they are, or where they come”. Refers to Irina Loghin ya Sorin Tanase, Romanians with two veteran singers who enjoyed hundreds of your fellow, and tired of signing autographs. In choruses were heard Bregovic draws, who is accused of appropriating melodies of the Gypsies. He argues that the old art of catching the traditions they have exercised from Stravinsky to Bartok. And laughing takes the saying that great artists and geniuses steal copied: “Yes, I steal, I'm not a genius, but theft”. Carlos Galilea, Country, 20/05/2003
I'll stick with the reflection that makes Comaandante's Blog, special reference to the gypsy musician Saban Bajramovic, who worked extensively with Bregovic: “It would have gone unnoticed by the world payo if not for Bregovic and Kusturica. Either borrowed and popularized his songs. As a result there were those who claimed rights to Saban, but this happened all, free once more. If you listen to Goran Saban and then know exactly where the heart is, and where the intelligence, and“.
Y, for sample, a jewel.


